Text size:

  • Small
  • Normal
  • Large
A scene from Ladder to Damascus, which premiers at the Toronto International Film Festival. Abbout Productions
A scene from Ladder to Damascus, which premiers at the Toronto International Film Festival. Abbout Productions
Mohamad Malas, the director of Ladder to Damascus, who shot the film in Syria just months after the unrest began. Courtesy Doha Film Institute
Mohamad Malas, the director of Ladder to Damascus, who shot the film in Syria just months after the unrest began. Courtesy Doha Film Institute

A window into Syria’s civil war

It is a wonder that director Mohamad Malas was able to film Ladder to Damascus at all, let alone secure its world premiere at the Toronto International Film Festival (TIFF) this week.

It is a wonder that the director Mohamad Malas was able to film Ladder to Damascus at all, let alone secure its world premiere at the Toronto International Film Festival this week.

Malas, who is considered among the first auteur filmmakers in Syria with numerous documentary and feature films to his credit, shot his latest work in Damascus just months after the unrest began in 2011. He had doubts about whether Ladder to Damascus would actually come to fruition because “fear limited the space of visual treatment for the production of this film”.

“Practically, this fear would make me feel uncertain about whether or not I would be able to film the next day,” he says. “Every day, I would be unable to predict if the cast or technical crew could make it to the set.”

For much of the movie, action takes place within the confines of a century-old home in the heart of Damascus. Here, a dozen young Syrians from different areas of the country come together in rented rooms, where each one’s struggles with the beginnings of the civil war play out with varying degrees of angst, fear or anger. The setting often feels claustrophobic, both to the film’s characters as well as the audience, because of the constant reminders of chaos just outside the front door – the chilling phone call about a loved one who has been arrested, for instance, or the noise of a jet in the skies above followed by sounds of explosions.

This “on the brink” atmosphere in the movie, Malas says, closely mirrors what Syria is like to many today.

“There is nothing in front of me and in front of any intellectual of my generation besides life in worry and fear, and a lack of hesitation to offer testimonies, to express what is happening with honesty – regardless of what this might lead to,” says Malas. “In all cases, what is happening now doesn’t allow us any security.”

His anxiety permeates Ladder of Damascus, which compounds this feeling by its blend of different cinematic forms. Some scenes, for example, include fantastical spiritual elements that one character experiences, while others feature vignettes of documentary footage from the ground in Syria. One particularly powerful real-life scene shows a little girl filmed on the streets, whose sweet singing is soon replaced by the sounds of a bomb that rock her out of the shaky frame.

Waves of youthful optimism do wash through certain parts of the film. Freedom is sometimes also alluded to, though it is more limited to scenes at the start of the film, such as when a young woman runs along a beach in Tartous under a safe, night sky. “I hope for the viewer to be able to get to know the world inside me and the dreams for the youth in my country, Syria, as well as the atmosphere they are living in during these days and what their stances are about the situation,” says Malas. “The implicit message in this film is to express the position of Syrian cinema and its testimony of events.”

But as Malas ultimately intended it, Ladder to Damascus ends where the conflict we see in the world today began. Which is why the final scene of his film is so jarring.

“What began after the uprising – that the film talks about – is the result of the security choice taken by the ruling regime to defend itself, which brought the country to the brink,” he says.

• Ladder to Damascus will have a public screening at TIFF on Sunday. Visit tiff.net for details

artslife@thenational.ae

Back to the top

More articles


Editor's Picks

 Hajer Almosleh, the winner of the last year's short story competition, at her home in Dubai. Duncan Chard for the National

Get involved with The National’s short-story competition

Writers have two weeks to craft a winning submission, under the title and theme "The Turning Point".

 It is believed that the desert-like planet of Tatooine is being recreated for Star Wars: Episode VII. Could that be where filming in the UAE comes in? Courtesy Lucasfilms

Could the force be with us? The search for Star Wars truth

On the hunt for the Star Wars: Episode VII set, which a growing number of people are sure is in Abu Dhabi, but no one can seem to find.

 With an estimated 18,000 comic and film fans having already paid a visit to this weekend’s Middle East Film and Comic Con, organisers are hopeful they will have surpassed last year total, of 21,000, by its close. Jeffrey E Biteng / The National

In pictures: Middle East Film and Comic Con in Dubai

Dubai's World Trade Center was awash with people visiting this weekend’s Middle East Film and Comic Con. Here's some of our best pictures.

 Sheikh Nahyan bin Mubarak, the Minister of Culture, Youth and Community Development, presents Quincy Jones with the Abu Dhabi Festival Award as the Admaf founder Hoda Al Khamis-Kanoo applauds. Courtesy Abu Dhabi Festival.

A candid talk with Quincy Jones about the UAE, Lil Wayne and the Abu Dhabi Festival award

The Abu Dhabi Festival honoree Quincy Jones discusses his legendary career as a music producer, the return of Dubai Music Week and why he can’t handle the rapper Lil Wayne.

 Catherine, Duchess of Cambridge, Prince William, Duke of Cambridge and Prince George of Cambridge arrive at Wellington Military Terminal on an RNZAF 757 from Sydney on April 7, 2014 in Wellington, New Zealand. Chris Jackson / Getty Images

In pictures: Will and Kate visit Australia and New Zealand

Catherine, Duchess of Cambridge, Prince William, Duke of Cambridge and Prince George of Cambridge are on a tour Down Under for three weeks.

 A protester gives a victory sign during clashes near Tahrir Square in Cairo in November 2011. Goran Tomasevic / Reuters

Street life: humanity’s future depends on ability to negotiate and sustain public space

Negotiating our ever more crowded cities and maintaining vibrant public spaces are among the major challenges facing humanity in the coming decades.

Events

To add your event to The National listings, click here

Get the most from The National